All Anime Applications Games Movies Music TV shows Other

The Beatles - Unsurpassed Masters - Vol 3 [FLAC]

    Seeders : 0      Leechers : 0

Note :

Please Update (Trackers Info) Before Start "The Beatles - Unsurpassed Masters - Vol 3 [FLAC]" Torrent Downloading to See Updated Seeders And Leechers for Batter Torrent Download Speed.

Trackers List

Torrent File Content (23 files)

Description

 							Publisher: Yellow Dog Records
  Reference :YD 003
  Date :1989
  Made In :Luxembourg
 
Quality :Ex
  Booklet & packaging :
  Total duration: 58:33
  
  Comments
  The cover is a
photo op from the "Our World" broadcast of"All You Need Is Love", history's first live world-wide satellite TV link-up.

  Oops! 
  Harrison's sign has two spelling errors in the Russian word for "love". 
  Latin characters
for "B" and "V" are used where Cyrillic letters should have been painted. Who's checking these things, anyway?
 

  First issues were improperly mastered with only one of the stereo channels in noisy mono, and timing cues were
off.
  
  The second ("fixed") version has the text "Previously available in mono only NOW IN STEREO" on the
back cover.
  
   Paperback Writer (Lennon/McCartney) 
  Take 1 
  13 Apr 1966 
  Stereo,
without vocals. 
  Guide guitar in place of opening vocal harmonies. 
  Drums, guitar, jangle box. 
 
Breakdown after first verse. 
  Pitch correction: +1.0% 
   
   Paperback Writer (Lennon/McCartney) 
  Take 2 
  13 Apr 1966 
  SS.PM2.03.02 
  Lacks delay on vocals, leaving sparse space at refrains. 
  Left channel: Bass, lead vocal, "Frere Jacques" falsettos. 
  Right channel: Drums, guitar, jangle box, lead
vocal. No fadeout at end, revealing electric keyboard riff and falsettos that didn't make it onto the EMI/Capitol
single.
  
  This is not an "alternative stereo mix with
  radical separation". It's how it sounds on the
master tape. There is no keyboard played on this track at all, and all the vocals here are on the single. There is the
sound of a piano-through-Leslie at the very end, from a previous unidentified recording on the tape that "Paperback
Writer was recorded over.
  Pitch correction: +1.0% 
   
  2. Rain (Lennon/McCartney) 
  3:;04 
  Take 7 
  Reduction Mix 
  14 Apr 1966 
   
  Left channel: Bass, drums w/high hat. 
  When
panned left, it's purely instrumental except for backup vocal phrases and Lennon's harmony at the refrain. 
  Right
channel: Lennon's lead vocal, guitar, drums without high hat. 
  The stereo separation allows listeners to focus on
Lennon's stunning vocals. 
  Especially riveting are his double-tracked harmonies at the refrains. 
  Fully
separated in this mix, the listener can pan left or right to hear each Lennon vocal separately. 
  Droning on the
word "Rain," he achieves the vocal timbre of a Tibetan monk high in the mountains.
   
  3. Tomorrow Never
Knows (Lennon/McCartney) 
  2:57 
  Take 3 
  RS3 
  6 Apr 1966 
   
  
  Listed as
"Mark I".
  RS3, 22 jun 1966
  
  Don't get too excited by the false liner notes. 
  This is not
"Mark I", the early take of "Tomorrow Never Knows". (see Mark Lewisohn's book on the Abbey Road Sessions). 
  
  This is not an alternate stereo mix of the tape loop experiment...it's the LP mix -180 degrees out of phase, and so
poorly transferred that it sounds like stereo, when it is in fact mono.
  The loops are out front, more distinct,
than on "Revolver", and Lennon's vocal becomes buried when the revolving Leslie speaker effect kicks in. 
  The
real "Mark I" reportedly was included on Anthology II.
  Pitch correction: +0.4% 
   
  4. Strawberry
Fields Forever (Lennon/McCartney) 
  3:06 
  Take 1 
  24 Nov 1966 
  SS.MMT.08.01 
  The
wonderful take 1 ... 
   
  Innocent psychedelia. 
  Stereo mix taken from the master. 
  
 
Lennon does not sing the harmonies himself, George and Paul are
  plainly present on them.
  
  There's a
clip in the film "Imagine" where Lennon is interviewed as he is entering Abbey Road studios toward the end of 1966. He's
holding a reel-to-reel tape in his hands. It's possible that this track is from that 1/4" reel. 
  Pitch
correction: -2.2% (Key B)
   
   Strawberry Fields Forever (Lennon/McCartney) 
  Take 2 
  28 Nov
1966 
  Pitch correction: +4.4% 
   
   Strawberry Fields Forever (Lennon/McCartney) 
  Take 3 
  28 Nov 1966 
   Pitch correction: +4.4% 
   
   Strawberry Fields Forever (Lennon/McCartney) 
 
Take 4 
  28 Nov 1966 
  Pitch correction: +3.1% (Key B flat) 
   
   Strawberry Fields Forever
(Lennon/McCartney) 
  Take 5 
  29 Nov 1966 
  Pitch correction: +4.7% 
   
   Strawberry
Fields Forever (Lennon/McCartney) 
  Take 6 
  29 Nov 1966 
  SS.MMT.08.06 
  Pitch correction:
+4.7% 
   
   Strawberry Fields Forever (Lennon/McCartney) 
  Take 7 
  29 Nov 1966 
 
SS.MMT.08.07 
  Reduction from take 6. 
   Pitch correction: +5.3% (key B flat)
   
  7. Strawberry
Fields Forever (Lennon/McCartney) 
  3:42 
  Take 25 
  Remix 
  9 Dec 1966 
   
  This is
the orchestral overdub onto the edit of Takes 15 & 24.
  
  George Martin's orchestrated score for the
faster, heavier SFF that became the second half of the EMI/Capitol release. 
  No vocals here, though. 
  
  Ringo's drumming becomes manic through the bit that was faded out at the end of the EMI single. 
  And Lennon
can be heard shouting: "Tell you... What? ~Laugh~. Ho, huh-huh. Can you hear ...buh, da-da dup... ~laughing~...
cranberry sauce, cranberry sauce." 
  
  Then John orders: "All right, calm down, very well. Calm down."

 Pitch correction: -3.4% (key B) 
   
  8. Strawberry Fields Forever (Lennon/McCartney) 
  3:30 
 
Take 26 
  Remix 
  15 Dec 1966 
   
  This is the vocals and other overdubs onto Take 25, which was
edited to Take 7 to make the master version for the single.
  
  Same orchestra take, this time with all the
back masking and overdubs. 
  The ending grows into a massive psychedelic din, a rush of sound textures that were
all faded out of the EMI single. 
  
  Perhaps this mix was too harsh for a pop release in 1967. For today's
post-Nirvana dissonant-trained audiences? Solid Gold.
  Pitch correction: -3.6% (key B)
   
   A Day In
The Life (Lennon/McCartney) 
  RS4 
  Take 6, 7 
  20 Jan 1967 
  SS.SGT.13.0607.RS4 
  Another
stereo mix attempt. 
   
  Reduction mix (take 4 into take 5, 6 & 7).Several failed stereo remixes,
including Emerick's "RS-4" and Martin's "RS-5" and "RS-6" verbal documentation. 
  The longest remix reveals the
synching problem that emerged while trying to link the 4-tracked orchestra swell to another machine with the 4-tracked
Beatles' reel. (see Lewisohn, Abbey Road Sessions).
  
  Three failed remixes. Note the differing stereo
placements from one to another. The longest tape of this remixing session- RS 5 & 6 appeared previously on "Dig It"
(Condor 1987) among others.
  
  This is stereo mixing session done on 22 February 1967. These stereo mixes
were edited from takes 6 and 7. 
  Pitch correction: +2.8% 
  
   A Day In The Life (Lennon/McCartney)

  RS5 
  Take 6, 7 
  20 Jan 1967 
  SS.SGT.13.0607.RS5 
  A quickly aborted stereo mix. 
   
  Reduction mix (take 4 into take 5, 6 & 7).Several failed stereo remixes, including Emerick's "RS-7" and
Martin's "RS-5" and "RS-6" verbal documentation. 
  The longest remix reveals the synching problem that emerged
while trying to link the 4-tracked orchestra swell to another machine with the 4-tracked Beatles' reel. (see Lewisohn,
Abbey Road Sessions).
  
  Three failed remixes. Note the differing stereo placements from one to another. The
longest tape of this remixing session- RS 5 & 6 appeared previously on "Dig It" (Condor 1987) among
 
others.
  
  This is stereo mixing session done on 22 February 1967. These stereo mixes were edited from takes
6 and 7. 
  Pitch correction: +2.8%
   
   A Day In The Life (Lennon/McCartney) 
  RS6 
  Take
6, 7 
  20 Jan 1967 
  SS.SGT.13.0607.RS6 
  A stereo mix attempt. 
   
  Reduction mix (take 4
into take 5, 6 & 7).Several failed stereo remixes, including Emerick's "RS-7" and Martin's "RS-5" and "RS-6" verbal
documentation. 
  The longest remix reveals the synching problem that emerged while trying to link the 4-tracked
orchestra swell to another machine with the 4-tracked Beatles' reel. (see Lewisohn, Abbey Road Sessions).
  
 
Three failed remixes. Note the differing stereo placements from one to another. The longest tape of this remixing
session- RS 5 & 6 appeared previously on "Dig It" (Condor 1987) among others.
  
  This is stereo mixing
session done on 22 February 1967. These stereo mixes were edited from takes 6 and 7. 
  Pitch correction: +2.8% 
  
   All You Need Is Love (Lennon/McCartney) 
  Take 57 
  TV 
  25 Jun 1967 
   
 
Take 57 of the "Our World" live world-wide TV broadcast of June 25, 1967. 
  Pitch correction: +2.6% 
   
   All You Need Is Love (Lennon/McCartney) 
  Take 58 
  TV 
  25 Jun 1967 
   
  Take 58 of
the "Our World" live world-wide TV broadcast of June 25, 1967. 
  Includes several seconds of studio ambiance from
after the cameras had cut away, with Mal Evans announcing "Happy New Year, everybody!"
  Pitch correction: +2.6%

   
  11. I Am The Walrus (Lennon/McCartney) 
  4:13 
  Take 9 
  5 Sep 1967 
   
 
This is an excerpt of an external recording ("monitor mix") from the control room, of the session for the instrumental
track. Yellow Dog would release this complete tape four years later on "Control Room Monitor Mixes"
  
  A
surprise gem. 
  Angry, grungy instrumental take 9 of "Walrus".
  Recorded Sept. 5, 1967 - just days after
Brian Epstein's death. 
  Bass, drums, keyboard and guitar. 
  Ringo is still sorting out his drum part
through the first half. 
  By the end, his patented left-handed snare fills are in full blossom on his right-handed
kit.
  Pitch correction: -3.5%
   
  12. Aerial Tour Instrumental (Lennon/McCartney/Harrison/Starkey) 
  2:05 
  Take 8 
  RM4 
  8 Sep 1967 
  SS.MMT.05.08.RM4 
  Acetate.
  
  This is
an alternate mix of "Flying".
  There is a minimal, back-masked keyboard track in this mix in the place of a guitar
track that is heard on the EMI release. 
  Most notably, the long mellotron ending which fades into "Blue Jay Way"
is missing.
  In its place is a basic 1-4-5 progression in a ragtime rhythm featuring banjo, whistling and
saxophone.
  
  The long mellotron meanderings that follow the end of the group's performance, from RM1, were
hived off and replaced with a recording of a jazz band, from an unidentified record. Yellow Dog would release the
complete RM1 in 1994 on "The Ultimate Collection" Vol. 1.
  Pitch correction: +0.5% 
   
  13. Hello
Hello (Lennon/McCartney) 
  5:05 
  Take 1 
  2 Oct 1967 
   
  Emerick calls it: "Hello,
Hello. Take one." 
  Highlights of this piano and organ backing track are Ringo's Pepperesque fills with his
cross-over rolls off the toms. 
  A complete take without vocals or guitar overdubs.
  
  The intro of
this piece is stereo, but the recording goes mono at the fade of all sound just before they start playing. Paul plays
piano, John plays organ, and George plays tambourine.
  Pitch correction: +1.1% 
   						

Related torrents

Torrent Name	Added	Size	Seed	Leech	Health
The Beatles - Unsurpassed Masters - Vol 7 [FLAC]	1 Year+ - in Music	309.73 MB	0	0
The Beatles - Unsurpassed Masters - Vol 2 [FLAC]	1 Year+ - in Music	296.26 MB	0	0
The Beatles - Unsurpassed Masters - Vol 1 [FLAC]	1 Year+ - in Music	307.11 MB	0	0
The Beatles - Unsurpassed Masters - Vol 6 [FLAC]	1 Year+ - in Other	314.02 MB	0	0
The Beatles - Unsurpassed Masters - Vol 4 [FLAC]	1 Year+ - in Other	318.37 MB	0	0

Note :

Feel free to post any comments about this torrent, including links to Subtitle, samples, screenshots, or any other relevant information. Watch The Beatles - Unsurpassed Masters - Vol 3 [FLAC] Full Movie Online Free, Like 123Movies, FMovies, Putlocker, Netflix or Direct Download Torrent The Beatles - Unsurpassed Masters - Vol 3 [FLAC] via Magnet Download Link.

Comments (0 Comments)

Please login or create a FREE account to post comments